About National Gallery

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Comment For National Gallery Cinemar

Name : Stephanie Merry / Alias : Washington Post
"National Gallery" could have used a few more edits; its long run time may limit its appeal. But the film is remarkably engaging and, with close looks at so many important pieces of art, bursting with beauty.

Name : Joe McGovern / Alias : Entertainment Weekly
[An] iridescent look at London's premier art institution.

Name : Moira MacDonald / Alias : Seattle Times
Though Wiseman's now well into his 80s, his eye's as sharp as ever.

Name : Wesley Morris / Alias : Grantland
Sitting there with something like National Gallery, it's not the rush of time you feel. It's the rush of applied skill.

Name : Steve Dollar / Alias : Wall Street Journal
Like many of the 39 documentaries Frederick Wiseman has made since his controversial debut with Titicut Follies in 1967, this film is a leisurely if disciplined exploration of an institution, patient in its observances and curious about every detail.

Name : Jordan Mintzer / Alias : Hollywood Reporter
If a picture is worth a thousand words, then there are at least a million things worth talking about in National Gallery.

Name : Keith Uhlich / Alias : Time Out New York
You may initially find yourself missing the emotional pull of the film's first sections, but it's all to an increasingly intriguing point.

Name : Peter Rainer / Alias : Christian Science Monitor
Frederick Wiseman's documentary National Gallery is for art lovers, movie lovers - basically for anybody.

Name : John Anderson / Alias : Newsday
An immersion in art and humanity.

Name : David Denby / Alias : New Yorker
The museum's interior is neoclassical, and Wiseman's severely restrained style of filmmaking matches it perfectly.

Name : Nick Schager / Alias : Village Voice
Long, leisurely paced, wide-ranging, meticulously crafted, intellectually intricate, and touched with profundity.

Name : Manohla Dargis / Alias : New York Times
Like most of Mr. Wiseman's work, the movie is at once specific and general, fascinating in its pinpoint detail and transporting in its cosmic reach.

Name : David Lewis / Alias : San Francisco Chronicle
"National Gallery," a meandering trip through the famed London art institution, has many sublime scenes - and some tedious ones, too.

Name : Mark Feeney / Alias : Boston Globe
"It's this wonderful mixture of observation and imagination," a lecturer says of Leonardo's "Madonna of the Rocks," one of the museum's prize possessions. Something similar can be said of Wiseman and his film.

Name : Jay Weissberg / Alias : Variety
Turning his camera on works of art and the people who steer the distinguished London complex, the grand old man of hands-off documentaries studies paintings and bears witness to staff meetings, curatorial discussions and gallery talks.

Name : Peter Howell / Alias : Toronto Star
National Gallery presents the famous art space as almost a living and breathing thing, with all the complications and rough glory that implies.

Name : Joe Morgenstern / Alias : Wall Street Journal
Mr. Wiseman's film, like the institution it examines, enhances the art of seeing, the pleasure of understanding.

Name : Betsy Sharkey / Alias : Los Angeles Times
It is such a gift that Frederick Wiseman, who is edging toward 85, continues to let his curiosity and his craft fill his days and our theaters.

Name : Mike D'Angelo / Alias : AV Club
After 47 years of making documentaries, Frederick Wiseman has his methodology down pretty darn pat, for better or worse (usually better).

Name : Farran Smith Nehme / Alias : New York Post
The elder statesman of American documentary, Frederick Wiseman, returns with an in-depth look at London's great museum, home to a spectacular array of masterpieces.

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